Friday, December 21, 2007

Santa's homes away from home

We know Santa Claus is a stylish guy. He understands the iconic impact a two-tone colour scheme imparts for his work clothes and, whenever in civvies, he's always nattily attired. Mrs. Claus, while a tad dowdy, is nonetheless well put together and makes sure the elves are co-ordinated in their dress.

However, reports on the Claus's architecture and interior design at their North Pole compound are sketchy at best, since no known photographs exist; everything from icy medieval castle-like structures to abstract Marlon Brandoesque "fortress of solitude" affairs have been depicted in the media.

Since travel to the North Pole at this time of year is inadvisable (except with the aid of a certain red-nosed quadruped), my interior designer wife Shauntelle and I decided to visit four of the Greater Toronto Area's top shopping malls to see if Santa's temporary homes offered any clues as to a preferred architectural style.

To make things more interesting, we scrutinized other key items within each scheme. Elf/child accessibility, thinking outside the (gift) box, Santa's seat (and how it relates to the architecture), and the overall "twinkle factor" were compared and contrasted at Santa's digs in Square One, Scarborough Town Centre, Yorkdale and the Eaton Centre. While there were no winners and losers (everyone's a winner at Christmas), what we found did bring us to certain conclusions.

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source: theglobeandmail.com

Brickbats and bouquets

In the spirit of the gift-giving season, I've decided to end the year by handing out some architectural awards for Toronto's best and worst residential projects of 2007. I've seen some knockouts in both categories over the course of the year now passing away, but what follows is the cream of the crop.

Drum roll please!

Fixer-upper prize for best renovation

The winner, hands down, is the team of Tom Payne, Eric Jensen and David Jesson, all of the Toronto architectural firm Kuwabara Payne McKenna Blumberg, for its eminently sensible redoing of an 8,500-square-foot modernist villa in The Bridle Path neighbourhood.

Originally designed for a two-acre site by Toronto architects William Carruthers and William Grierson, this long, low-slung house from 1969 is a classic product of its era: floor-to-ceiling glass walls enclosing an open flow of space, all sandwiched between flat horizontal planes of concrete.

But by 2003, when the current owners moved in — a young couple with a growing family — the building needed serious freshening up, as well as more extensive surgery. Whereupon began the renovation and renewal of the place by Mr. Payne and his colleagues.

The designers introduced new glass and leather sliding doors in various places, much improving the internal rhythm of spatial compartments.

Opaque exterior walls that served no purpose were opened by large windows, and the old carpeting and linoleum flooring were replaced by a dark tropical hardwood that complements the handsome walnut cabinetry and trim put into the house in 1969.

The result is an overhaul of the best sort: sweeping, yet mindful of the modernist values celebrated by the original.

King Kong award for worst new residential tower

This is a toughie, so take your pick: Architect Roy Varacalli's 80-storey 1 Bloor East certainly qualifies, but so does Berardo E. Graziani's 75-storey Aura, slated to go up at College Park. Both buildings are destined to occupy prominent spots along the downtown stretch of Yonge Street, and there's the rub:

Neither high-rise will bring much in the way of strong design to its outstanding location.

Instead, we are to get huge, bland stacks of concrete and glass with all the charm of a frumpy office tower from the 1970s.

All told, 2007 was a skimpy time for Toronto fans of tall buildings. A few acceptable towers were unveiled — among them, the Four Seasons hotel-apartment complex in Yorkville — but we saw nothing that forcefully embodies the liveliest and most creative tall-building ideals of our time.

Jane Jacobs medal for urban valour

The winners in this category are the members of the community group Active 18.

Based in the neighbourhoods along Queen Street West, this movement of artists, artisans and other creative people has been fighting for years to save Queen's Victorian streetscape from the ill-suited schemes of real estate developers.

The ante was upped again earlier this fall when Baywood Homes proposed a group of ghastly pseudo-Victorian condo complexes (designed by architect Brian Sickle) for the south side of the street, between Dovercourt Road and the Gladstone Hotel.

Despite an almost total lack of success so far, Active 18 has shown no signs of lying down and letting the architectural integrity of Queen be ruined without a struggle. The group should be applauded for its determination.

Who'd-a-thunk-it? prize for worst house

This award goes to Toronto architect Richard Wengle, for his shocker on Forest Hill Road at Heath Street West. This flamboyant precast concrete building is a hectic, bulging little encyclopedia of everything architectural modernism, for good reasons, denounced and abandoned: colossal square columns in the Corinthian order, whimsical wrought-iron balconies, patches of bas-relief mythological sculpture, scraps of Versailles and other frivolous ornaments from the historical dust bin. Like the many other ancien régime fantasias sprouting up in old neighbourhoods across Toronto, this house is out of place in a modern city.

It also cuts rudely against the grain, the general sense, of the Forest Hill area. For all its rather dour propriety, and the mediocrity of much of its architecture, the neighbourhood has integrity that an architect offends at his peril. The extravagant house by Mr. Wengle is just such an offence against a part of town that has traditionally avoided show-offish gestures — but that's now getting far too many of them.

Why-we-love-hogtown award for best house

Though not the largest house I saw in 2007, nor the grandest project I wrote about during that time, Toronto architect Paul Raff's new residence in Forest Hill is by far the most beautiful residence I visited.

Mr. Raff is an artist of light. He loves it with the passion of those old-school modernists who built houses of glass, and he celebrates sunshine in every project he undertakes. But unlike some pioneering minds of the modern movement in residential architecture, who liked to invite direct sunlight into every nook and cranny, Mr. Raff is interested in the subtleties of light — the infinite variety of ways it can be modified and modulated to create aesthetic effects.

The artistic result, as we have it in this modest, average-sized house, is a distinctively poetic modernism, freed from starkness and too-great simplicity, yet loyal to the clarity of the best progressive residential architecture of yesteryear.

The inside of the house, for instance, is not uncomfortably awash in brightness. Light falling through the expanse of clear glass on the south facade is filtered by a perforated black slate partition that generates a play of light and shadow on the open-plan interior that changes through the course of the day.

This house is experimental in the best and most creative sense of the word: a probing, elegant investigation of sunshine.

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source: theglobeandmail.com

Will 2008 bring the downturn?.

This has been an uncertain year in the world of housing. Looming above all else has been the vaporization of the American subprime mortgage market and its increasing impact on housing starts and prices in all sectors and regions. There can be little doubt that the era of cheap money that pushed U.S. real estate higher and higher has come to an end.

But if the Americans are in meltdown, why have housing prices been able to thrive in Canada, and boom here in the West? I would like to report that this was solely because of sage policies by our governments and lending agencies, but they have played a relatively small part.

We should all note that Canada Mortgage and Housing Corp. and other Canadian lending agencies have shown some signs of the U.S. contagion — quick approvals for ever-lower down payments combined with increasingly elaborate mechanisms to reduce payments temporarily. The U.S. housing market is sick in bed, maybe headed for hospital, while in Canada we are feeling a little off but keep going to work. And we worry that this decision will come back to haunt us.

It will..

Housing has hung on here not because of some inherent strength of the housing sector north of the 49th parallel but because the world regards us as a commodity-based economy, and Canada's most commodity-linked economies are west of Manitoba. So it's no surprise that that is also where the gains in housing prices and sales numbers have been steepest. The inflow of money and residents have kept our housing markets sprightly — but the good news is unlikely to continue in 2008.

Every first-year business school student learns the historical facts of the global business cycle — the booms and busts that can be charted back 150 years and more. More than anything else, the ups and downs of the business cycle are tied to commodity prices. As industrial economies shift into high gear, the prices of raw materials get pushed up, eventually getting so high that they start to choke off growth. The huge rise in construction costs in recent years, especially in Western Canada, is but one sign that a reckoning is coming. Even now, escalating costs are making new investments ever trickier for developers and purchasers both.

We have yet to see the real economic impact of what appears to be a collapse of the B.C. forest industry, and no one dares to think how much our housing markets have been sustained by a huge blip of baby boomers lining up the homes and recreational retreats for their retirement years.

But we will.

When the next business cycle commences, it will take a long time for commodity prices to recover, even once the industrial economies of Eastern Canada, the United States and Europe start firing on all cylinders again. Alberta and British Columbia are now full of swagger, apparently convinced that economic swings are things of the past, that our boom will continue forever because of Asian demand for the raw things we pump, mine or cut down. But in a year or two we will slump while others rebound, and in our sulk we will blame others and then, eventually, ourselves.

Western Canada is too blessed and optimistic a place, in the scale of things globally, to suffer much more than a 10-per-cent decline in housing prices, I predict.

Moreover, there are advantages in these contractions, a time to consider quality, think about the direction of our cities, get down to actual solutions to homelessness and affordability.

I have written about B.C. housing 52 times over the past year, and in my entire career as an architecture critic, I have never had so many innovative, amenable and all-round creative dwellings to write about as in 2007.

There was some welcome investment by our provincial government in supportive housing for our most vulnerable, and let's hope the new year finds similar attention to the needs of the working poor, single-parent families, students and the so-called cultural creatives who have been priced out of adequate places to live, and just as worrisome, places to work.

At the municipal level, and thanks in large part to a heroic effort by our city planners, we are at long last starting to see the clear outlines of what Vancouver's EcoDensity policies will mean for the city and, later, other places in the province.

These ideas are too important to stand or fall with Mayor Sam Sullivan's political career, so I hope all factions of our fractured polity can come to agree on action. Whether it is Mr. Sullivan, Carole Taylor or some champion of the left who, as the city's next mayor, makes the final push toward a sustainable future does not really matter — so important is the issue.

With the correction ahead, we will learn something about economic sustainability. That will help us make parallel decisions about environmental sustainability, too.

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source: theglobeandmail.com

theglobeandmail.com

VANCOUVER — The unusual structure in Vancouver's prestigious Point Grey neighbourhood looks like something right out of a fairytale book. In fact, the house — located at the end of a street shaded by a cathedral of giant plane trees — is a rare example of what is known as "storybook architecture."

The style, popular from the 1920s to the early 1940s, had a range of influences, from European cottage architecture to Hollywood movies and Walt Disney's fantasy creations.

The 2,500-square-foot bungalow, which sits on a pie-shaped corner lot on West Broadway Avenue, is still sound but in need of major repairs. At one point earlier this year, there was talk of demolishing it, but now plans are under way to save it from the wrecker's ball.

The house, built in 1942, was sold in June for $1.65-million, according to city records, after changing hands the year before for slightly more than $1-million. The new owners want to preserve the house, and plan to carry out a total restoration and a modest expansion. They also want to subdivide the lot and build another small, but taller, home.

A large team is being assembled for the project, which requires written architectural plans on returning the house and landscaping — as much as possible — to their original state, according to Heritage Vancouver's Donald Luxton.

The distinctive multilayered, "sea wave" cedar shingle roof alone will cost "well over $100,000" to restore, says Mr. Luxton, who is overseeing the project. The roof is what makes the house special. It is several layers deep and expertly designed to look like an old English thatched roof.

"We've worked on roofs like this before," he adds. "They are very complex and a huge expense to do properly — but the house isn't the same if you don't have that roof.

"This kind of roof [cedar shingle] was much more common — it's just that they are all gone."

The bungalow, designed by renowned Vancouver architect Ross A. Lort, is modelled on Anne Hathaway's Tudor cottage in Stratford-upon-Avon. It was constructed by master builder Brenton Lea, who was born on Prince Edward Island, and learned his trade in Boston. Mr. Lea's Welsh wife had challenged him to build her a house that looked like the childhood cottage of Shakespeare's wife.

Mr. Lea's daughter, Mary Graham, remembers her mother digging out a photo of the Hathaway cottage and handing it to her father.

"I have the picture that she had saved since she was a child, and she handed it to him and he did a copy of that," says Ms. Graham, who is 85 and living in Nanaimo. "It turned out very close to it."

She remembers that her father "built a bonfire in the front yard and had a big pot of water and he steamed the shingles and curved them."

Ms. Graham, who was 14 at the time, says that even in 1942, the house stood out as a curiosity. "I was annoyed because people with their cameras would come up and look in the windows, and if the door was open they would walk in," she recalls.

Mr. Lea later built two other storybook houses, also designed by Mr. Lort: one in the city's South Cambie community and another in West Vancouver. Ms. Graham still remains in contact with the owner of the South Cambie house.

She lived in the Lea residence for only a year or two before the family had to move again because of the nature of her father's business of building and flipping houses. She had become so attached to it that, in later years, she always made a point of driving by when in Vancouver. Ms. Graham, who is an artist, even built a small replica of the Lea residence.

When she and her family were living at the cottage, property in Vancouver's west side was cheap enough that her father could buy several rows of lots at a time. He built his cousin a house on West Broadway near the cottage, and she remembers playing in the empty lots that surrounded the homes. He also built luxury homes in the city's upscale Shaughnessy district.

She gasps when told that the Lea residence sold for $1.65-million last June.

Today, a bungalow on a property that cost $1.65-million doesn't make economic sense. But Ms. Graham doesn't like the proposed plan to subdivide the lot. "I'm glad my parents aren't alive today to know that," she says, sighing.

Mr. Luxton emphasizes that an application has not yet been made for the development of the Lea residence. As a result, the city planner working on the project did not want to comment for this story. The new homeowners, who have previous experience with infill buildings, prefer to remain anonymous.

"Anything we say about the final project is preliminary at this point," Mr. Luxton says.

He commends the new owners for attempting to maintain the heritage site and make it economically feasible, too. The plan is to add a master bedroom to the house, but otherwise keep it the same.

"Over all, I think it's a real win-win that we could do this," he says. "There's no real downside to it. You just end up with two smaller houses instead of one bigger house, but you keep the heritage house.

"And the neighbours have been really interested. … They want it to stay. Sometimes you don't always get that."

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source: theglobeandmail.com

Homes strut for revamped Designers Walk

When architect Michael Taylor walked into the live/work spaces at Designers Walk, he felt instantly transported back to the 1980s. The terrazzo floors were a bit reminiscent of Dynasty; the units were dowdy.

But at the same time, Mr. Taylor recognized immediately how well the innovative design had held up through the decades.

"It was one of those places where I walked in and said, 'Wow, I could really live here,'" says the principal with Taylor Smyth Architects.

The most intriguing feature was the "secret garden" located in the centre of each unit, he adds. "We were still struck by the wonderful central courtyard element that created this light well."

With such a strong organizing element, it didn't take a lot of imagination, the architect says, to strip away the last superficial reminders of 1982 and revamp the structure in 21st-century style.

Mr. Taylor was part of the team that turned the residences from outmoded rental properties into Designers Walk Lofts — eight luxury condominiums that have been selling at a blistering pace at prices starting at $329,000 and ranging to about $1.5-million. At last count, only one had yet to be sold.

But the rejuvenation at Designers Walk involves more than real estate. A resource centre open to the public will let consumers wander in to see the wares for themselves. Some showrooms have always been open to visitors, but most have been accessible only to designers and architects.

Designers Walk became a sensation in Toronto's design and architecture community when it opened in the 1980s. The complex at Davenport and Bedford roads was a mecca for the interior designers, architects and fabric houses who set up their studios and showrooms among the four brick buildings developed by commercial designer Joab Igra.

Mr. Igra developed the complex from a pair of buildings built in 1948. Designers Walk had a village feel, with laneways connecting the buildings and a bistro on Bedford. Some tenants lived and worked above in the three floors of residential units.

Jennette Igra is the wife of Joab and mother of Ron. She remembers the hands-on care the family took when choosing the original design and finishes.

"Every brick was hand-sorted and 30 per cent of the bricks were thrown away because they weren't exactly the right colour," Ms. Igra says. "And I was involved in sorting the bricks."

The Igras lived for a time in one of the residences as well.

"We came from the design industry and really understood the problems that designers have. I think that's why it has been successful. We're not just landlords."

She recalls how quiet and undeveloped Av & Dav was at the time. But Designers Walk was a catalyst for much of the change in the area.

"I guess we've had a lot to do with the growth of the neighbourhood," Ms. Igra says.

Ron Igra has since taken over the operations of Designers Walk from his father.

This decade also brought about an emerging trend: With the bonanza in home renovation and decorating programs on television, more educated consumers have been wanting to see for themselves the luxurious goodies residing in those showrooms.

"The public will be able to come and see products that they've never been able to see before," says Ms. Igra.

When it came time to refresh the real estate, Mr. Igra assembled a team from among the tenants. Taylor Smyth Architects has had its offices in Building one of Designers Walk for several years. Warren Hoffman of W Design Associates was the principal designer for the units.

On a recent tour of a one-bedroom condo, Mr. Taylor and Mr. Hoffman said their aim from the start was to take advantage of the natural light flooding in and keep the units bright.

Interior design firm Powell & Bonnell revamped one of the units and Mr. Igra asked them to design a show suite and the public areas. Mr. Taylor and his team took some cues from what they had done — particularly in the kitchen where Mr. Taylor liked the minimalist, modern cabinets.

He followed a similar design and had the cabinets fabricated.

A massive island in the kitchen allows space for cooking and informal dining.

"People always congregate in the kitchen anyway and we thought the owner might end up entertaining in here."

Where the Taylor and W team diverged from the show suite was in the colour palette. While the Powell & Bonnell suite made use of dark wood, Mr. Taylor had the riff-cut oak floors stained a honey blonde.

"We decided to break away from that and make it all about brightness and light."

Upstairs, the team turned a largely open space into clearly defined bedroom, bathroom and walk-in closet.

The bedroom window looks toward an adjacent industrial building. Mr. Taylor thinks that vista adds character and some of the grittiness of the big city.

"It's sort of like New York-style living, the way I see it," he says. "It's a bit tough."

The bathroom is large and luxurious with a walk-in shower, soaker tub and an outdoor terrace.

"The bathroom has a deck off it so it's a really sexy bathroom," says Mr. Taylor.

The architect had the former brick wall of the terrace wrapped in wood to make it feel warm and spa-like.

"It didn't feel very inviting. Now it just feels like an extension of the bathroom."

A translucent glass wall at the end of the bathtub also invites more light into the bedroom.

The building doesn't have the health clubs and other amenities of some condo buildings but it is centrally located with access to all kinds of shops and services.

The bistro Le Paradis is downstairs.

"If I lived here that would be my own private kitchen, I'm sure," says Mr. Taylor.

Ms. Igra, who has seen all of the changes over the years, feels that Designers Walk is reinvigorated.

"This very much revives the original intent," she says.

Real Estate Designers offers totally innovative solutions for your software development, Internet programming, real estate web design and hosting needs. Our service includes domain name registration and real estate web design. Real Estate Designers provides the complete solution including design, application development and marketing.



source: theglobeandmail.com